{"id":474,"date":"2012-04-06T21:05:33","date_gmt":"2012-04-06T20:05:33","guid":{"rendered":"http:\/\/localhost\/wordpress\/?p=474"},"modified":"2022-10-24T18:06:58","modified_gmt":"2022-10-24T17:06:58","slug":"antakya-hatay-arkeoloji-muzesi-archelogische-museum-antakya-hatay","status":"publish","type":"post","link":"https:\/\/ehl-i-lezzetiz.biz\/?p=474","title":{"rendered":"Arkeoloji M\u00fczesi Antakya"},"content":{"rendered":"<p>&nbsp;<\/p>\n<div class=\"et_pb_slider et_pb_slider_fullwidth_off et_pb_gallery_post_type\">\n\t\t\t\t<div class=\"et_pb_slides\">\n\t\t\t\t\t<div class=\"et_pb_slide\" style=\"background: url(https:\/\/ehl-i-lezzetiz.biz\/wp-content\/uploads\/Antakya_Arkeoloji_Muzesi-3.jpg);\"><\/div><div class=\"et_pb_slide\" style=\"background: url(https:\/\/ehl-i-lezzetiz.biz\/wp-content\/uploads\/Antakya_Arkeoloji_Muzesi-6.jpg);\"><\/div><div class=\"et_pb_slide\" style=\"background: url(https:\/\/ehl-i-lezzetiz.biz\/wp-content\/uploads\/Antakya_Arkeoloji_Muzesi-4.jpg);\"><\/div><div class=\"et_pb_slide\" style=\"background: url(https:\/\/ehl-i-lezzetiz.biz\/wp-content\/uploads\/Antakya_Arkeoloji_Muzesi-2.jpg);\"><\/div><div class=\"et_pb_slide\" style=\"background: url(https:\/\/ehl-i-lezzetiz.biz\/wp-content\/uploads\/Antakya_Arkeoloji_Muzesi-7.jpg);\"><\/div><div class=\"et_pb_slide\" style=\"background: url(https:\/\/ehl-i-lezzetiz.biz\/wp-content\/uploads\/Antakya_Arkeoloji_Muzesi-9.jpg);\"><\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n<p><em><strong>HATAY ARKEOLOJ\u0130 M\u00dcZES\u0130 TAR\u0130H\u0130 <\/strong><\/em><\/p>\n<p>Hatay\u2019da kaz\u0131 \u00e7al\u0131\u015fmalar\u0131 1932 y\u0131l\u0131nda ba\u015flam\u0131\u015ft\u0131r. 1933-1938 y\u0131llar\u0131 aras\u0131nda Amik Ovas\u0131\u2019nda C\u00fcdeyde, Dehep, \u00c7atalh\u00f6y\u00fck ve Tainat\u2019ta, Chicago \u00dcniversitesi, Chicago Oriental Institute taraf\u0131ndan kaz\u0131 \u00e7al\u0131\u015fmalar\u0131 yap\u0131lm\u0131\u015ft\u0131r. 1936 y\u0131l\u0131nda, British Museum ad\u0131na Sir Leonard Wolley Samanda\u011f\u0131, El-Mina Mevkii\u2019nde, 1937\u2019den 1948 senesine kadar da aral\u0131klarla, A\u00e7ana H\u00f6y\u00fc\u011f\u00fc\u2019nde hafriyat ve kaz\u0131 \u00e7al\u0131\u015fmalar\u0131 y\u00fcr\u00fct\u00fclm\u00fc\u015ft\u00fcr. 1932-1939 y\u0131llar\u0131nda Princeton \u00dcniversitesi\u2019nin yapt\u0131\u011f\u0131 ara\u015ft\u0131rmalarla m\u00fczenin esas zenginli\u011fini olu\u015fturan mozaikler ortaya \u00e7\u0131kart\u0131lm\u0131\u015ft\u0131r. Bu zenginlikler, merkezi Antakya\u2019da olmak \u00fczere Harbiye, Narl\u0131ca, G\u00fczelbur\u00e7, Samanda\u011f ve \u00e7evresinde yap\u0131lan kaz\u0131lar sonucu \u00e7\u0131kart\u0131lan ve koleksiyonu tamamlayan mozaiklerdir. Antakya\u2019da y\u00fcr\u00fct\u00fclen 1932-1939 y\u0131l\u0131 kaz\u0131 \u00e7al\u0131\u015fmalar\u0131nda \u00e7o\u011fu Roma d\u00f6nemine tarihlendirilen mimari ve di\u011fer buluntular kentin zenginli\u011fini ve ihti\u015fam\u0131n\u0131 ortaya sermi\u015ftir. The Committee for the Excavation and its Vicinity adl\u0131 komitenin yapt\u0131\u011f\u0131 kaz\u0131 \u00e7al\u0131\u015fmalar\u0131 ba\u015fta Antakya, Harbiye olmak \u00fczere Samanda\u011f\u2019da Seleuceia Pieria da s\u00fcrd\u00fcr\u00fclm\u00fc\u015f ve kaz\u0131larda ortaya \u00e7\u0131kan zengin mozaik eser koleksiyonu bug\u00fcn d\u00fcnyan\u0131n yakla\u015f\u0131k 20 m\u00fczesine ve \u00f6zel koleksiyonlar\u0131na da\u011f\u0131lm\u0131\u015f durumdad\u0131r. Antiokheia k\u00f6kenli bir \u00e7ok eser bug\u00fcn Hatay Arkeoloji M\u00fczesi\u2019nin yan\u0131 s\u0131ra Princeton Universitesi Sanat M\u00fczesi (ABD), Worcester M\u00fczesi (ABD), Louvre (Fransa) gibi m\u00fczelerde saklanmakta veya sergilenmektedir. Kaz\u0131larda \u00e7\u0131kan eselerin tek yerde toplanmas\u0131 i\u00e7in ba\u015flayan \u00e7al\u0131\u015fman\u0131n ard\u0131ndan 1939 y\u0131l\u0131nda tamamlanan Hatay Arkeoloji M\u00fczesi, 23 Temmuz 1948 y\u0131l\u0131nda Hatay\u2019\u0131n Anavatana kat\u0131l\u0131\u015f\u0131n\u0131n 10. y\u0131l\u0131nda ziyaret\u00e7ilere a\u00e7\u0131lm\u0131\u015ft\u0131r. M\u00fczenin 8 sergi salonundan biri olan Lahit Salonu 2000 y\u0131l\u0131nda tamamlanarak te\u015fhire sunulmu\u015ftur. M\u00fczede yer alan 8 sergi salonuna ek olarak m\u00fcze bah\u00e7esinde de eserler yer almaktad\u0131r. 5 deposu bulunan m\u00fczenin 1.140 metrekarelik bir oturma alan\u0131 mevcuttur. Eserler 984 metrekarelik bir alanda sergilenmektedir. 2011 y\u0131l\u0131 itibar\u0131yla toplam eser say\u0131s\u0131 35.433. Mevcut m\u00fcze binas\u0131n\u0131n ihtiya\u00e7lar\u0131 kar\u015f\u0131layamamas\u0131 ve zengin koleksiyonun daha iyi sergilenmesi amac\u0131yla; Hatay\u2019da yeni bir Arkeoloji M\u00fczesi\u2019nin yap\u0131m \u00e7al\u0131\u015fmalar\u0131 s\u00fcrmektedir. Temeli 26 May\u0131s 2011 tarihinde at\u0131lan yeni m\u00fcze binas\u0131n\u0131n planlanan biti\u015f tarihi Temmuz 2013\u2019t\u00fcr. Hatay\u2019\u0131n ilk \u00e7a\u011flardan, orta\u00e7a\u011fa kadar \u00e7e\u015fitli k\u00fclt\u00fcrlere tan\u0131kl\u0131k eden yap\u0131s\u0131n\u0131n korundu\u011fu, ara\u015ft\u0131r\u0131ld\u0131\u011f\u0131, yorumland\u0131\u011f\u0131, herkesin dikkatine ve be\u011fenisine sunuldu\u011fu, yeni m\u00fczecilik anlay\u0131\u015f\u0131n\u0131n t\u00fcm gerekliliklerini kapsayacak Yeni Hatay Arkeoloji M\u00fczesi\u2019nin bir k\u00fclt\u00fcr kurumunun t\u00fcm \u00f6zelliklerini i\u00e7eren d\u00fcnyan\u0131n say\u0131l\u0131 arkeoloji m\u00fczelerinden biri olmas\u0131 hedeflenmektedir.<\/p>\n<p><em><strong>MOZA\u0130K KOLEKS\u0130YONU HAKKINDA<\/strong><\/em><\/p>\n<p>Hatay Arkeoloji M\u00fczesi mozaikleri kronolojik olarak M.S 2. y\u00fczy\u0131ldan M.S. 6. y\u00fczy\u0131la kadar uzanan d\u00f6rt y\u00fcz y\u0131ll\u0131k d\u00f6nemde \u00fcretilmi\u015ftir. Tema \u00e7e\u015fitlili\u011fi a\u00e7\u0131s\u0131ndan \u00e7ok zengin olan bu mozaiklerde mitolojik konular, \u00e7e\u015fitli inan\u00e7 ve g\u00fcnl\u00fck hayat unsurlar\u0131n\u0131n tasvirlerinin yan\u0131 s\u0131ra geometrik ve bitkisel s\u00fcslemeler i\u015flenmi\u015ftir. Mozaiklerin tamam\u0131 taban mozai\u011fidir ve dekoratif ama\u00e7 \u00f6n planda bulunmaktad\u0131r. Antakya ve \u00e7evresinde bulunan mozaikler hem boyutlar\u0131 itibariyle, hem de konu ve yap\u0131m tekni\u011fi \u00e7e\u015fitlili\u011fi nedeniyle d\u00fcnya \u00fczerinde hakl\u0131 bir \u00fcne sahiptir. Sanal M\u00fcze\u2019nin bu b\u00f6l\u00fcm\u00fcnde,hakk\u0131nda bilgi edinmek istedi\u011finiz mozai\u011fe t\u0131klayarak \u00f6zet bilgilere ula\u015fabilirsiniz. Mozai\u011fin tamam\u0131n\u0131 g\u00f6r\u00fcnt\u00fclemek ve daha detayl\u0131 bilgilere ula\u015fmak i\u00e7in a\u00e7\u0131lan pencerede bulunan \u201cEnvanterde g\u00f6r\u00fcnt\u00fcle\u201d tu\u015funa basabilirsiniz.<\/p>\n<p>&nbsp;<\/p>\n<p><!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>HATAY ARKEOLOJ\u0130 M\u00dcZES\u0130 TAR\u0130H\u0130<\/p>\n<p>Hatay\u2019da kaz\u0131 \u00e7al\u0131\u015fmalar\u0131 1932 y\u0131l\u0131nda ba\u015flam\u0131\u015ft\u0131r. 1933-1938 y\u0131llar\u0131 aras\u0131nda Amik Ovas\u0131\u2019nda C\u00fcdeyde, Dehep, \u00c7atalh\u00f6y\u00fck ve Tainat\u2019ta, Chicago \u00dcniversitesi, Chicago Oriental Institute taraf\u0131ndan kaz\u0131 \u00e7al\u0131\u015fmalar\u0131 yap\u0131lm\u0131\u015ft\u0131r. 1936 y\u0131l\u0131nda, British Museum ad\u0131na Sir Leonard Wolley Samanda\u011f\u0131<\/p>\n","protected":false},"author":8,"featured_media":1031,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[23,4,14,16],"tags":[46],"class_list":["post-474","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-httplocalhostwordpresspage_id324","category-lezzet-gezileri","category-lezzet-atlasi","category-turkiye","tag-antakya-hatay-mosaik-museum"],"_links":{"self":[{"href":"https:\/\/ehl-i-lezzetiz.biz\/index.php?rest_route=\/wp\/v2\/posts\/474","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ehl-i-lezzetiz.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ehl-i-lezzetiz.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ehl-i-lezzetiz.biz\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/ehl-i-lezzetiz.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=474"}],"version-history":[{"count":13,"href":"https:\/\/ehl-i-lezzetiz.biz\/index.php?rest_route=\/wp\/v2\/posts\/474\/revisions"}],"predecessor-version":[{"id":22023,"href":"https:\/\/ehl-i-lezzetiz.biz\/index.php?rest_route=\/wp\/v2\/posts\/474\/revisions\/22023"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ehl-i-lezzetiz.biz\/index.php?rest_route=\/wp\/v2\/media\/1031"}],"wp:attachment":[{"href":"https:\/\/ehl-i-lezzetiz.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=474"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ehl-i-lezzetiz.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=474"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ehl-i-lezzetiz.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=474"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}